OVERCONFIDENCE!

I am responsible…
All accidents feel very stupid: if only I had done this, gone another way, etc…

In my case, I was possibly too joyous – something was excessive – I decided to take a speed bump without slowing down, why not? This was a glorious day… (cf. Fall Season post).

The key issue here is that I am responsible for being at the bottom of this hole – how it feels (bad and depressing, if I am using words – not a necessity at all!) – and I am responsible for getting out.

I will be “there” for quite some time.

Fortunately, I listen to myself (as that other dumb cliché says!): sleep a lot, walk outdoors every day, and eat and drink (water) so as to regain the great weight I have lost.
Even though I write all of this down, there is absolutely nothing to say!
BUT
I remember Jean Améry (Hans Meyer) pondering what the intellect(ual) can bring to torture (cf. At the Mind’s Limits).
Keep writing, and maybe like in a good conversation, you will discover something you  had no idea…

I remain in silence as long as possible. Silence has a great many layers…
[I dread noise – why do planes fly at 10:30 p.m. and 5:30 a.m.?]

I want “reality:”
words that don’t feel like they come out of some ready-made wishes, and clichés.
Music that is sparse and knows its limits… but what is reality, that elusive concept (cf. my School of No Media)?

The new stats I am watching…

Almost three weeks later, I am home!
Being home, means one’s effort to be can BE that much more REAL than in a setting where’s one future is totally dependent on a bunch of strangers, who all play their part. “Public self” has a great many limitations.

Facial hair, because for quite some time, there were other concerns.

The good
– I get my dreams back (I had not realized I had not dreamed in the hospital). It is like a friendly blanket, another “me” meeting me, regardless of the dreams. Officially I am told: REM sleep is back.
– I am like a sponge with silence: give me more!
– I sleep a lot, more than eight hours per night.
The hard
– My previous brain-bleed (cf. this site) is of no use. There is no comparison. I am even more so on my own, and more specifically: I have no idea which way is up. There is no path, no ledge onto which I could ponder anything.
The concept of healing or of any kind of roadmap is unavailable. I am there,where there is no “there.”


Making it home means one has done enough “genuflections” (passing the tests to demonstrate one is functional enough). I remember in rehab a four hour psychological evaluation starting at 8:30 a.m. where one element included the need to recall more than once a list of a great many disparate objects, and keep a friendly attitude. Towards the end of that morning, without any break, I asked if I could play on my phone some background music (Satie) to soften the hardship of these non-stop exercises. I was allowed to do so.


If one’s relationship with oneself is barely alive:
To speak (= to have to conjugate verbs) means affirming one’s ”I,” one’s identity.
When someone else wants any kind of attention – could be something as trivial as a “how are you?” – it is impossible to respond properly.  There is nobody home, nobody who could  properly answer.
If one is unpleasant to the outside world, it is because one has not yet established some kind of self.
It is impossible to speak without a well established subject, That’s why one shouts (as a way to say most indirectly: “I am not ready to engage in a conversation of selves!”).


And loud sounds and noise make themselves known as disturbances, absolutely invasive, and preventing any link to self.
Is that kind of hypersensitivity a phenomenon I should expect? Like a great many other questions, I am in the dark.

SURPRISE: “here is your book to take home” 271 pages…

Hmm… I have brain injury?! No doctor, no nurse, no one has brought up the subject, but “here is a book to read as we send you home.” – the fact that I have not read any book for quite a while seems irrelevant to them.
Unfortunately, this is representative of the way “I was handled.” I had to gather information, right and left about my condition.
Notwithstanding the actual care (surgery, wound care…)  and “vitals checking,” it has felt like I have been on my own.

I spend two and a half weeks in a hospital setting…
It is “hell” – there are so many kinds.
This one is made of:
– I am moved from one room to another but… both rooms, both men/neighbors are screaming day and night, and moaning. I cannot believe I am supposed to heal in that environment. I slowly learn that  I am in the “trauma unit,”  where trauma is king.
– I speak to three “case-managers” – someone should be supervising my healing.  All three tell me they will get back to me, but they don’t.
– By the time I leave, I have managed to communicate what I would consider to be eatable by me.
The kind of depersonalized bland cafeteria food I was given feels like being fed by a conveyor belt in a stable. I cannot imagine any kind of senior housing or nursing home food… And the lack of actual privacy.

Dinner = white bread with processed cheddar cheese.

– The morning “doctors rounds” end up being a predictable daily disappointment: I never get a sense of an overview, nor of what is a stake. They do show up, doctor and residents, but before I can have any concrete conversation,  they “have to run elsewhere.”
Every nurse seems to come from a different country – one small way to escape and to find stimulation where I can.

Picture without the screams & moaning & bed-alarm by the next bed…

P.S.:  A friend told me that this reflects the state of the health system in the US. A doctor I spoke with later confirmed that.
NOT to take it personally! [reminds me of Ajahn Sumedho‘s important book: Don’t Take Your Life Personally.]


ADDENDUM!
Just learned much later, that I was in a geriatric trauma unit, nobody told me at the time… but that explains the two different rooms with two screaming neighbors. They should have done some kind of assessment, and possibly put those two together!

Yes indeed, and of course… I did not see it coming.
On a beautiful fall day – upon getting on my bicycle, I remember clearly having that  “sense of well-being” –  not only did I feel fit on my bike – I had biked and swum earlier – the temperature and sunny afternoon seemed to say “take a bite of life!”
I vaguely remember some speed-bumps that I was going to take in a fun way – without slowing down – after all, I felt good, the terrain was flat and there was no traffic.
ALL ACCIDENTS ARE STUPID – how I would like to rewind and be “more something” (fill in the blank).

Next step is… I am in the ICU at BJC hospital, and I don’t remember anything of the fall, as is well known by all survivors of concussions.

Photo Alma M.

Slowly, it is hard to gather all of these facts, I learn that I have: a broken clavicle, blood in my brain and in my arm, some kind of crack in my skull, and in my jaw, an ear that needs sewing to prevent “cauliflower ear” – and facial, hand and knee bleeding – and…  I hear something very subtle like some faint breathing in my right ear, specially in a quiet environment. And most likely a coccyx that has some damage.

Magyarul: vagy irok, vagy sirok (either I write, or I cry).
OR
Being K.O. is not O.K.

This note was produced after many much valued friends asked me how I was doing. It is inserted here, even though it is only after being home that I realized that communication was going to require many more skills than in normal times.
First I apologize for any impatience on my part. I did what I could.

In the middle of a struggle, one is generally unable to speak, making any kind of statement is impossible.

Repeatedly I am asked how I am doing (“ça va?” in French, “hogy vagy?” in Hungarian).
In 2008 I had to placate someone who kept asking how I was doing (again, “ça va?” in French)… and ended up screaming “No, it is not going well!” (“ça va pas!”).

When you are going from moment to moment, if you are going at all, the concepts of “pain, progress, healing…” are absolutely irrelevant.
At those times, you know nothing

More importantly, one may end up being unpleasant to the outside world because one is still trying to create a link to some kind of self.
It is impossible to speak without a well established subject. That’s why one shouts.  One is asked something impossible: to speak means affirming one’s ”I,” one’s identity.

For those friends who have many questions to ask, instead:  please listen to what it is the only person is going through – only silence and time will allow for the reality of that moment to appear. Cervantes said it this way: Give time to time.

“A long and slow convalescence” means there’s no need to keep asking questions. Presence is 200% of the gift you can provide; as I often say:
                           presence is your infinitely precious present (or gift)!

More succinctly, in the context of pain: BEING IS NOT SPEAKING
(OR ONE IS ONLY PLAYING WORD-GAMES & IGNORING THE COMPLEXITY OF REALITY).

OR
Tout ce qui n’est pas cri est trivial.
The poverty of language; if I don’t scream, I am using platitudes.
The French writer, Antonin Artaud, addressed all of this throughout his life.

Your can only protect yourself that much, but it is clear that I would not be here without a helmet.

In Robert Frost’s footsteps (“Thinking isn’t agreeing or disagreeing. That’s voting.“), I would add that whether one is doing well or not is not the way to ask questions, if one wants to ask the important questions.

Nota Bene: Pain has nothing to teach. There is no “teaching moment” in it. And, possibly everything is only valid until the text time you encounter (the same!) difficulty again.

Winner of “Best Experimental Film” 2022 St. Louis Filmmakers Showcase
AND
played
at the 2022 St. Louis International Film Festival
&
the 2023 Defy Film Festival in Nashville, TN


too many words for such a short piece, but then it is (about) nothing
14 years of gestation & very close to failure (as it should be)

Reality is a cliché… — Wallace Stevens


While we try to stand on “icebergs of knowledge” (with a very large mass of unknown), any film either stands by itself or does not…
As we have been told before:“All the rest is commentary.”


My teacher Charlotte Joko Beck used to say that one spends the first part of life accumulating, and that the second part is spent getting rid of things.

In 2008 after being unable to move and to communicate while in an ICU for three weeks… when I finally was home – after having scared myself in the mirror by looking like a camp survivor, jawbone and knees protruding & stomach skin hanging – as in some kind of slow motion, all normal activity seemed like actual choices & getting that essential mechanism going again looked like getting hooked into automated addictions (eating, drinking, watching my surroundings…).
Nothing was evident anymore, not even regular speech and words.
I was an outsider to any kind of normalcy. A world of conventions had been revealed as in the Emperor With No Clothes story…
That’s the short of it.

Addressing this film piece more directly: except possibly for Brakhage’s “The Act of Seeing with One’s Own Eyes,” Debord’s “Society of the Spectacle” or Peter Kubelka’s “Arnulf Rainer,” our addiction to images and sounds remains beyond the scope of most films.

This short piece attempts to take off… while trying to remain as grounded as possible.
Tabula rasa.
The movies of the future will take place in between two eyeballs… but this is meant to be a very cold shower.

Consciousness is motionless… If time passes, it is necessary that there should be something which remains static. And it is consciousness of self which is static. — Leo Tolstoy, January 15, 1910 (at age 85 – ten months before his death).


About the filmmaker:

  • In the tradition of Abraham, the iconoclast… Pier Marton is an original, an artist for our age“. — Dr. Sander Gilman, leading American cultural and literary historian, psychoanalyst and the author and editor of over eighty books
  • He is ahead of us all and behind everything that is.— Tamiko Thiel, Artist (“The Female Supercomputer Designer Who Inspired Steve Jobs”)
  • Pier Marton rakes the virtual screens and the tablets of our hypocrisies with the sharp claws of the avenging angel, piercing the complacent facade of the status quo to reveal the underlying agonies of our conflicting moralities. — Aribert Munzner, artist, professor emeritus/former dean, The Minneapolis College of Art and Design
  • … a reflective, thoughtful presence in the field… balancing intellectual rigor with unbridled creativity and curiosity… an integrity and authenticity characterized by an inner strength, giving his work a unique sensibility… rare in our field of media art. — Bill Viola, Leading and Pioneer Video Artist
  • I am moved by what you are doing, I hope your video will reach many viewers. I hope it will bring them closer to a world they could never enter. — Elie Wiesel, Nobel Peace Prize recipient (in a private letter)

An earlier “graphic expression” of one of the lures.

Currently the Unlearning Specialist at the School of No Media and its collection of “imploding words.”
Video works collected in Beaubourg Museum, Paris – Museum of Modern Art, NY – National Gallery of Canada, Ottawa, Ontario – Carnegie Museum, Pittsburgh.



ARTISTS REACTIONS

Phenomenal, so deep, so simple…
The closest thing to facing the mystery of the Easter Island’s faces in a most present manner.

Aribert Munznerhttps://www.aribertmunzner.com/


I have watched it many times yesterday and again just now.
Every second of the film, so much to capture: your voice and your eyes change as you balance both realities – yes you can speak from or close to what you call the silence.
But that can’t really last for the nature of those moments of knowing makes it so that, by the very stating that you know, you are expelled from holding onto any kind of trophy.
Yet, honest and reflecting that liminal threshold of access to that ‘silence’… with the words you are allowed to speak in that, and from that moment, that place.
There’s that most human moment when you call it something else, it’s almost done then… the last vestige of it.
And then it changes to ‘addiction,’ a kind of pronouncement, which engages the mind, as in asking who is ‘you’? Is it us, or is it your voice as it leaves that space, speaking to the self that is addicted to images and thoughts? And all of us who are addicted to these….  the energy shifts.
I know that instant of knowing… trying to stay in that moment and keep that consciousness but the words diminish the actuality of that type of being and knowing … it can’t really be held.
But you did it: the entire process is there to witness as it happens…  And then you stop,  judge yourself, and how it seemed like a good idea…. but in fact you have succeeded, because you are exactly what you name your film, (a human) being.
To me, moment to moment, no editing, a piece so brave… raw, humble, true.

Rose-Lynn Fisher – https://www.rose-lynnfisher.com/


The nuances of a master at his craft – very subtle and very intimate.

William Morrishttps://vimeo.com/williammorris



PRODUCTION STILLS


NO!
— the shout that started the process of “recovery,” my “reincarnation” (coming back into my body/life) —
After weeks in an intensive care unit, I finally came back to life when, from the deepest place in my body, I found myself shouting “No!”


We are born…
And our brain is shapeless. Words and concepts have not yet colonized it.

There is a “self” (should we even use that word?) that exists that is pure perception.
In that state, nothing is stored for recycling.
You live…
It is neither “life,” nor “art,” nor “experience.”
You live.

Then come those who say: “tell us all about it! Make sense, let us know, make us understand!

However hard this hospitalization is/was, it is a trip… an initiation into something that cannot be communicated.
Just like anything worthwhile.
Just like becoming a shaman.
OR
You can view this as a Torah(Teaching) Scroll where you will spend the rest of your life
trying to interpret it – my advice, as Susan Sontag says, don’t.
It is what it is.

ALONE.
AND UNIQUE.


In the extremely long road of recovery – one does not recover – everything appears as what it is: a series of addictions.

from the School of No Media site

In parallel to the Chinese Yin and Yang principles, our digital reality is composed binary digits – the bits – composed of ones and zeros, yet our culture seems to emphasize only the ones, only the fullness
at the expense of our emptiness


As per the hourglass visualization, the clarifying process of decantation takes time, yet dramatic events like death or disease can speed up the unlearning phase.
Regardless of our books, our words and our philosophies, death – the so-called “great equalizer” – will create an outstanding silence.
What traces will be treasured by the next generation?

An Unlearning MapThe essence of normalcy is the refusal of reality. Ernst Becker

Words, these words too, hide so much more than they reveal.

In an effort to unmask this, I did this long interview for a Bolivian paper: The Void and its Pressure.

Just a few excerpts from the beginning:

  • At their core, words are frozen experience and as such monuments, they function as mere reference points. No matter what others may say, we remain bound by our life’s path.
  • The topic at hand is oblivion
  • I should mention that I belong to Abraham’s ancient iconoclastic tradition and that this is only one way to react to our boundless arrogance.
  • Civilization as a whole produces a deafening disturbance we remain unconscious of until the end of our lives.
  • During encounters with death or, in less tragic ways, when we feel dwarfed by our surroundings, radical changes can take place…

More importantly, the School of No Media (I am its Unlearning Specialist), is my direct response to the arbitrary concepts/words we surround ourselves with – something I would not have been privy to, had I not been without words in I.C.U. for those “hellish” three weeks.

Yes, beyond stuff, culture & media, words & concepts…
Can we get there? Very easy: the next car accident will get you there fast.
Or, you may simply sense a regular form of vertigo as you ponder the implications behind what the Laniakea or the Eukaryota imply for us. More information on the School of No Media site.

What I represent. © Marton 2015